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Nemo, the Classic Comics Library was a magazine devoted to the history and creators of vintage comic strips. Created by comics historian Rick Marschall, it was published in the 1980s by Fantagraphics.
Nemo ran for 32 issues (the last being a double issue) plus one annual. Most issues were edited by Marschall. The title was taken from the classic comic strip Little Nemo. While some issues were thematic, most were a mix of articles, interviews, comic strip reprints and more.
Marschall later went on to co-found another magazine about comics, Hogan's Alley.

This graphic novel unfolds in front of the reader as a puzzle of short stories and moment-capturing images. Samuel is a pale, ghost-like character, drawn in clear line, against the controlled psychedelia of color and form. He exists almost invisible to his surroundings, a hero of the ordinary. Musturi's precise storytelling is about individuality and loneliness among others, and of freedom, pondering our daily actions and the choices and values behind them, all evidenced by Samuel's peculiar actions.

This coming-of-age graphic memoir is a relentless and exhilarating journey to the depths of the human condition, rendered with precision and verve by one of the world's greatest living cartoonists.
"You've always got to laugh at tragedy. That's why I laugh about my ailment. Ailments. About being a sexual spastic. About my perennial, cowardly, tantalizing desire to die. You can laugh about anything. Almost." Spoken by his self-depiction, these bitter words set the tone for Gipi's pitch-black humor in this unvarnished and uncompromising autobiographical tale. A young adult adrift in the world, Gipi's stand-in grapples with sexuality, insecurity, deception, depression, drug use, fading friendships, and the capricious cruelties of the world as he struggles to determine whether his life is worth living.
Drawn in Gipi's signature elegantly scribbled ink style and punctuated by vivid watercolor splashes, My Badly Drawn Life weaves through the past and present, through narratives both real and imagined, to create an impressionistic account of his complex inner life. In this kaleidoscopic journey into the depths of his psyche, Gipi processes the shadowy traumas of his upbringing; in doing so, he produces a gripping work of utter cartooning mastery. Black-and-white illustrations with some color

Published in 1969, this Argentine graphic biography about Ernesto "Che" Guevara was an instant bestseller. Banned by a military dictatorship, and almost lost, it has never been available in English - until now.
Life of Che is one of the most anticipated entries in Fantagraphics' The Alberto Breccia Library. Originally released as part of a graphic biography series in January 1969, it came out in Argentina only a year after Ernesto "Che" Guevara had died and reached an audience beyond comics readers. In the 1970s, the military government raided its publisher, destroying the means to reprint the book. The comic was presumed to be lost to history, until a publisher in Spain restored it in 1987. It has never been translated into English until now.
The book begins in Bolivia in 1967, then flashes back through Che's life - his childhood, his radicalizing motorcycle trip with Alberto Granado, his taking up of arms in Guatemala, his meeting with Fidel Castro, and his subsequent military and political maneuvers, ending in a fade-out to his death. Alberto Breccia and his son, Enrique, drew Life of Che. Enrique draws the Bolivia passages in a woodcut style, while Alberto depicts the flashbacks in his trademark, expressionistic black-and-white. It is primarily set in the field and with the people. Héctor Germán Oesterheld (The Eternaut) blends his authorial voice with Che's first-person. Life of Che is imbued with a sense of immediacy, as both Che and, eventually, Oesterheld would meet their ends by a military government backed by the American CIA. As Pablo Turnes writes in his afterword, it is "the testament of someone consciously marching toward his revolutionary death."
Black-and-white illustrations throughout

Cartoonist Matt Furie's deadpan comics showcase slacker roommates Andy, Brett, Landwolf, and Pepe in a series of comical vignettes combining laconic psychedelia, childlike enchantment, drug-fueled hedonism, and impish mischief. The perpetually insouciant glaze of his characters belie the sharp verbal and visual wit of Furie, who delivers a stoner classic for the Tumblr generation. In fact, Furie's wildly popular teenage weirdoes became an overnight internet sensation when Pepe the Frog was widely adopted by users of 4chan and remixed ad infinitum from there (including uses by pop stars like Nicki Minaj and Katy Perry), giving Boy's Club built-in recognition with many. A spiritual cousin to Simon Hanselmann's Megahex and Joán Cornella's Mox Nox, Boy's Club's sense of humor will especially resonate with fans of stoner comedies and black humor.

In a night of piratical treachery when an arrogant school teacher is accidentally shanghaied aboard the frigate Hand, his fate becomes inextricably fettered to that of a sardonic gangster. Dependent on one another for survival in their strange and dangerous new home, the two form an unlikely alliance as they alternately elude or confront the thieves and cutthroats that bad luck has made their companions and captors. After an act of terrible violence, the teacher is brought before the ship's captain and instructed to use his literary skills to aid him in writing his memoirs. He is to serve as scribe for a man who, in his remaining years, has made it his mission to commit as many acts of evil as possible in order to ensure that he meet his dead wife in hell. As the captain's protected confidant, finding his only comfort in the few books afforded him, the teacher bears witness to monstrous brutality, relentless cruelty, strange wisdom, and a journey of redemption through loss of faith. Chris Wright's Blacklung is unquestionably one of the most impressive graphic novel debuts in recent years, a sweeping, magisterially conceived, visually startling tale of violence, amorality, fortitude, and redemption, one part Melville, one part Peckinpah. Blacklung is a story that lives up to the term graphic novel, that could only exist in sequential pictures -- densely textured, highly stylized, delicately and boldly rendered drawings that is, taken together, wholly original.

Pat Moriarity draws short tales by a host of guest writers.
Issues #1-2 are published by Starhead Comix, and #3-7 are published by Fantagraphics Books.

Derek Van Gieson's Enough Astronaut Blood to Last the Winter is part fine-art book, part travelogue documenting the author's turbulent and fruitful period of time spent in New York City. Through drawings, paintings, photography, and short fiction, Van Gieson delivers an intense experience wrought with heartbreak, joy, destruction, perseverance, and whimsy. Enough Astronaut Blood to Last the Winterechoes influences of seminal artists like George Grosz and Richard Brautigan through its unique ability to entertain and engross. Enough Astronaut Blood to Last the Winter is sure to serve as an art object, conversation piece, and a well-worn carry-on for years to come.

In this graphic novel, readers follow various characters' paths in a fantastical world of endless tracks. One runner relies on her poncho to give her direction. Another deals with a suddenly missing appendage. There are also algebra dogs, a juice institute, and a helpful network that consists of miles of string that proves that, no matter how far apart, the friends you can rely on are the ones you met while traversing life's twisty-turny trails. Cartoonist Henry McCausland's flowing page layouts showcase his elaborate landscapes and thrilling kinetic energy, matching them with a laugh-out-loud, idiosyncratic sense of humor.

The long-overdue, definitive career retrospective of an early-20th-century gag cartoonist. From the 1880s to the Roaring 1920s, Sullivant took to the drawing board and dreamed up all manner of hilarious gag cartoons featuring animals of all stripes, perennial American "types" like hayseeds and hobos, and classic characters from myths and biblical tales. These comics haven't seen the light of day since their initial appearance in pioneering humor magazines like Puck and Judge over a century ago. Includes essays by John Cuneo, Peter de Seve, Barry Blitt, Steve Brodner, Rick Marshall, Nancy Beiman, and R.C. Harvey, with a foreword by cartoonist Jim Woodring.

A society, greedily dependent on a mysterious natural resource, meets a force indifferent to social or class status in this graphic novel. In the dystopian city-state of Kronin, the chief engineer is in charge of all mining of Metax - a precious material that has become indispensable to survival because of its extraordinary qualities. Meanwhile, a police officer investigates the mysterious killing of royal horses, suspecting a terrorist insurrection. Sabrina, the engineer's daughter, is a member of this resistance group, which appears to be comprised of children. Meanwhile, the King's hidden hand sets in motion a power play that will change the destiny of the kingdom forever, and all of these characters get caught up together in a whirlwind of violence and faith.
This lusciously illustrated, science fiction fantasy by French cartoonist Antoine Cossé moves with the grace of a swan. Dark, romantic, and compassionate, it is an exploration of greed, its consequences, and the possibility of escape.

Two ditch dwelling degenerates and a dog are the protagonists of this dark comedy from acclaimed filmmaker and animator Amy Lockhart. Body horror, celebrity obsession, and wealth disparity collide in this satirical romp about an aspiring plastic surgeon to the stars who is forced to live in a shapeshifting, maggot-infested pizza box.

This series is rated Adults Only
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No one asks for the childhood they get, and no child ever deserved to go to Chartwell Manor. For Glenn Head, his two years spent at the now-defunct Mendham, NJ, boarding school - run by a serial sexual and emotional abuser of young boys in the early 1970s - left emotional scars in ways that he continues to process. This graphic memoir - a book almost 50 years in the making - tells the story of that experience, and then delves with even greater detail into the reverberations of that experience in adulthood, including addiction and other self-destructive behavior. Head tells his story with unsparing honesty, depicting himself as a deeply flawed human struggling to make sense of the childhood he was given.

A Raw artist returns, and Atlantis exists, in this new and original graphic novel from one of the great Italian comics masters, published in English for the first time. In this graphic novel, Aqualantics maintain a fragile peace with their "surface brothers"-as long as their world remains a myth. But when an actor who plays the character of the "indefensible Earthman," all cynicism and vulgarity, is gradually possessed by his role, a chain reaction jeopardizes the entire kingdom and the uneasy peace between the two species. Giorgio Carpinteri's sheer graphic brilliance - fusing aspects of Futurism, Cubism, Russian Constructivism, and German Expressionism with echoes of Bauhaus and distinct whims of Art Deco - would be enough to carry this brilliant fantasy, but Aqualantic is also a lyrical, allegorical masterpiece exploring the relationship between the conscious and unconscious, the known and the unknown.

Bron and Ray are a queer couple who enjoy their role as the fun weirdo aunties to Ray's niece, six-year-old Nessie. Their playdates are little oases of wildness, joy, and ease in all three of their lives, which ping-pong between familial tensions and deep-seeded personal stumbling blocks. As their emotional intimacy erodes, Ray and Bron isolate from each other and attempt to repair their broken family ties - Ray with her overworked, resentful single-mother sister and Bron with her religious teenage sister who doesn't fully grasp the complexities of gender identity. Taking a leap of faith, each opens up and learns they have more in common with their siblings than they ever knew. At turns joyful and heartbreaking, Stone Fruit reveals through intimately naturalistic dialog and blue-hued watercolor how painful it can be to truly become vulnerable to your loved ones - and how fulfilling it is to be finally understood for who you are. Lee Lai is one of the most exciting new voices to break into the comics medium and she has created one of the truly sophisticated graphic novel debuts in recent memory.

In this middle grade graphic novel from the acclaimed animator/cartoonist, Greta and her friend (and pet tortoise!) must solve the mystery of Friendlytown.
Greta is a handful. She rips the heads off her dolls, lashes out at the other kids at her school, and tries her weary parents' patience. But with the help of a dapper tortoise named NoBody, Greta softens her grumpy ways. Having learned her lesson, Greta must now team up with her new friend Gabby and their shelled companion to solve a strange mystery: Why have the kindhearted denizens of Friendlytown suddenly become so mean? And what can they do to make Friendlytown friendly again? In NoBody Loves You, Greta Grump Eisner Award-nominated cartoonist Cathy Malkasian conjures a fully-realized fantasy world cast with an array of colorful characters including tech whiz cats, ornery gopher librarians, and gangs of squirrels in matching sweater vests. Equal parts high-flying adventure and deeply felt allegory, this middle grade graphic novel is all heart.
Full-color illustrations throughout.

Sometimes poignant and sometimes slapstick, in this collection of Danish comics stories, Nuft and his family are pitted against prejudice, scheming slumlords and all-seeing robot overlords! This debut volume collects the stories "The Nufts Move In," in which the dragon family trades its rural ways for a new life in the big city - but the tenement they move into is not only falling apart, it's plagued by poltergeists! In "Trouble on George Street," Nuft gets a job at City Hall but quickly discovers that the whole thing is teetering on the verge of collapse! And in "The Great Technowhiz," the Technowhiz watches over all the city's functions - but who watches over the Technowhiz? Plus a special collector's bonus - Freddy Milton's very first 8-page Nuft tale. With personal commentary and insight by Freddy Milton

Peanuts has almost always been collected and reprinted in black and white. But many who read the popular comic strip during its original newspaper run remain fond of the striking, pastel-heavy coloring of its Sunday pages, which made for a surprisingly different and fulfilling reading experience. As Peanuts enters the '90s, all the classic characters - Charlie Brown, Linus, Lucy, Sally, Pig-Pen, Peppermint Patty, and Marcie - are all present, as is the brightest star of the strip, Snoopy. This volume highlights the wacky friendship between Snoopy and Woodstock, Charlie Brown's supreme ineptitude on the ball field, and the amusing hijinks of Snoopy's desert-roaming brother, Spike.
Collected in this gorgeous, oversized coffee table book, the strips in Peanuts Every Sunday 1991-1995 have been scrupulously restored and re-colored to look better than they ever have - allowing fans and new readers to immerse themselves in Charles M. Schulz's timeless masterpiece.

The Man Who Grew His Beard is Belgian cartoonist Olivier Schrauwen's first American book after having staked a reputation as one of Europe's most talented storytellers. It collects seven short stories, each a head-spinning display of craft and storytelling that mixes early twentieth-century comics influences like Winsor McCay with a thoroughly contemporary voice that provokes and entertains with subversively surreal humor and subtle criticism of twentieth-century tropes and images. The stories themselves, though each stands alone, are intertwined thematically, offering peeks into the minds of semi-autistic, achingly isolated men and their feverish inner worlds and how they interact and contrast with their real environment. Though Schrauwen taps "surrealist" or "absurdist" impulses in his work, you will not read a more careful and precise collection of stories this year. The stories included are: "Hair Types," a hilarious piece that on the surface explores the pseudoscientific classification of personality as a function of hair but becomes something more akin to a fable about self-fulfilling prophecy; "Chromo Congo," a silent story about two men on safari who meet a corpulent and obnoxious hunter; as well as "The Task," "The Man Who Grew His Beard," "The Lock," "The Cave," and "The Imaginist."

The Love and Rockets Companion: 30 Years (and Counting) contains three incredibly in-depth and candid interviews with creators Gilbert, Jaime and Mario Hernandez: one conducted by writer Neil Gaiman (Coraline); one conducted some six years into the comic's run by longtime L&R publisher Gary Groth; and one conducted by the book's author, spanning Gilbert's, Jaime's and Mario's careers, and looking to the future of the ongoing series, with a follow-up conversation with Groth. This book has foldout family trees for both Gilbert's Palomar and Jaime's Locas storylines; unpublished art; a character glossary (which is handy, considering that Gilbert alone has created 50+ characters!); highlights from the original series' anarchic letters columns; timelines; and the most wide-ranging Hernandez Brothers bibliography ever compiled, including album and DVD covers, posters and more.