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Celebrate Mickey Mouse's anniversary with the "Greatest Hits" of his comic strip adventures.
In his earliest incarnations, Mickey Mouse wasn't just an animation star―he was a death-defying, crime-stopping, newspaper strip hero! See Mickey race Pegleg Pete to a Wild West gold mine, battle the evil Rhyming Man for an atom-smashing machine, and stop a horrible hypnotist from hexing half of Mouseton. Fan-favorite stories "Mickey Mouse in Death Valley" and "The Gleam" have been recolored and re-formatted: plus, other great tales! full-color illustrations throughout.

Danger! Danger! Mickey's diabolical arch-enemy - the Phantom Blot - is on the loose! But when Mickey, Goofy, and Chief O'Hara set out to stop his crime spree, there's something they don't know: the Blot has Mickey hypnotized - and as good and evil clash in a spooky old house, our hero is unknowingly doing the bad guy's bidding! When Disney Legend Floyd Gottfredson stopped creating new Mickey Mouse adventure serials in 1955, Italian Disney artist-writer Romano Scarpa picked up the Mickey mantle - telling decades' worth of legendary tales himself! Now Fantagraphics is anthologizing Scarpa's best. And beyond "The Phantom Blot's Double Mystery," this volume features Mickey on a wild sea adventure in "The Eternal Flame of Kalhoa" - and Scrooge McDuck facing down his old flame, Brigitta MacBridge, in "The Last Balaboo!"

Watchful uncle Donald Duck doesn't want Huey, Dewey, and Louie taking on a daring Junior Woodchuck mission at 20 degrees below zero. But Donald's "survivalist" nephews insist they can stake out the coldest night of the year in an abandoned trailer in the wilderness ― so Unca Donald vows he's gonna teach them a lesson! Daan Jippes and Freddy Milton were the first to continue Barks's art and storytelling style in new stories. And, "The Great Survival Test" is just the start of the mayhem! From Donald's war with Lucky Gladstone in "The Briefcase Case" to Daisy's race against time in "Coat of Harms," an amazing collection of Duck Family adventures is here!

The circus is in town ― and detective Mickey and "akerbatty" Goofy are up to their elbows in lions, tigers, and scares! A mysterious old lady is following the circus troupe, robbing the cities they visit ― and then poof! ― she's gone! Is she an evil clown, trying to frame the showmen? Join Mickey on the trail of cops-and-robbers capers ― from shady doings at "The Last Resort" to Black Pete's raucous wrangles in "The Lost Legion!" Murry's first seven Mickey serials are all here ― all newly remastered in warm colors of the original Dell comic books!

When Scrooge rockets his money to the moon to save it from the greedy Beagle Boys, Donald Duck accidentally stows away ― and gets stranded on an asteroid! With Rebo, Warlord King of Saturn, suddenly in the picture, can Donald rescue himself and rescue Scrooge's fortune? Italian comics maestro Luciano Bottaro (1931 - 2005), building on the Carl Barks tradition, spun wild, thrilling, and near-psychedelic Duckburg tales for decades! Now Fantagraphics brings Bottaro's best Disney works to the English-speaking world ― starting with Rebo, Bottaro's great sci-fi bad guy! After Rebo's first feature-length battle with Donald and Scrooge in "Uncle Scrooge's Money Rocket," the avaricious alien is back from outer space in "Rebo Reducks." Then, Bottaro pits Scrooge against Carl Barks's beloved Witch Hazel in "TV Trickery!"

When Mickey's town is hit by a blizzard of strange glowing snow, everyone thinks it's a publicity stunt. But genius Dr. Einmug knows better: Pegleg Pete is on the loose with Einmug's weather-control secrets! Only Mickey and Einmug's mysterious companion ― the odd little Atomo Bleep-Bleep ― can save the day before a poison rainstorm wipes Mouseton off the map! Romano Scarpa (1927 - 2005) took over for Floyd Gottfreson and spun out decades' worth of new Mickey action epics ― most of which have never been available in English! This volume also reunites Mickey, Atomo, and Pete for Scarpa's "The Bleep-Bleep 15" and "The Fabulous Kingdom of Shan-Grilla," two internationally famous tales making their North American debut!

EC horror comics are famous for their gleefully ghoulish stories and their outrageous twist endings - served up with a sly wink to the reader and a generous dose of dreadful puns. No artist captured that mood better and made his readers shudder more than "Ghastly" Graham Ingels. Ingels set the standard for fiendishly delightful depictions of dripping slime, dismembered limbs, and shambling corpses. This volume features Ingels's earliest EC crime and horror work, from the pages of such titles as Tales From the Crypt, Haunt of Fear, Crime SuspenStories, and War Against Crime. Highlights in this volume include Ingels's very first EC story, two Ingels adaptations of stories by Edgar Allan Poe (including a clever twist on "The Cask of Amontillado" that you won't see coming), and EC's first adaptation of a Ray Bradbury story. As with every book in the Fantagraphics EC line, Doctor Of Horror And Other Stories superbly showcases these classic comic book masterpieces and enhances the reader's experience with commentary and historical and biographical detail from EC experts.

This series is rated Adults Only
DISCLAIMER: graphic sexuality contenu sexuel explicite
A collection of the comics Time magazine called the Charlie Hebdo of the 1960s. The Realist was a legendary satirical periodical that ran from 1958 to 2001 and published some of the most incendiary cartoons that ever appeared in an American magazine. The Realist Cartoons collects, for the first time, the best, the wittiest, and the most provocative drawings that appeared in its pages, including work by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Trina Robbins, Mort Gerberg, Jay Kinney, Richard Guindon, Nicole Hollander, Skip Williamson, and many others.

During the 1950s, under the Humorama banner, Abe Goodman churned out scores of cheap digest-sized magazines that featured cheesecake photos and single panel pin-up cartoons. The digests featured the likes of Playboy's Jack Cole, Archie's Dan DeCarlo and glamour girl legend Bill Ward. In addition to these three pin-up cartooning luminaries, other notable who contributed to the pages of the Humorama digests included longtime illustrator Jefferson Machamer; Basil Wolverton, who influenced a generation of underground cartoonists; Mad's Dave Berg ("The Lighter Side"); and future syndicated cartoonists George Crenshaw ("Belvedere"), Bill Hoest ("The Lockhorns") and Brad Anderson ("Marmaduke").

The gars are peaceful, happy animals living in Garland. Their shaman, Zachariah, helps them to interpret the spirits that foretell their future. But a strange vision bodes ill. This long-awaited second collaboration between Italian artists Lorenzo Mattotti and Jerry Kramsky, ten years in the making, is masterfully drawn in soft, psychedelic black and white.

Cynical, astute, blackly hilarious, and deeply biased, Tim Kreider's cartoons are neither the superficial, obvious jibes that appear in your daily paper's editorial section nor the didactic left-wing rants syndicated in your local alternative weekly; they are the artistic equivalent of hollow-point bullets fired from a high-powered rifle with a laser sight directly into the brain of the Bush administration.

Inspired by Dulle Griet (aka "Mad Meg"), Pieter Bruegel the Elder's 16th-century painting of a "strong, intense woman striding determinedly across a violent landscape," Dull Margaret is the first graphic novel by Academy Award winning-actor Jim Broadbent (Harry Potter, Game of Thrones) and artist Dix (perhaps best known for his Roll Up! Roll Up! comics in the Guardian newspaper). The Dulle Grietpainting shows a breastplated woman with a sword in one hand in front of the mouth of hell, and Broadbent uses that single, vivid image as a launching point to explore what the rest of Dull Margaret's bleak existence may have been like.

In Fantagraphics' ceaseless effort to rediscover every world-class cartoonist in the history of the medium, we turn your attention to a neglected part of the art form - sports cartooning - and to its greatest practitioner - Willard Mullin. The years 1930-1970 were the Golden Age of both American sports and American comic strips, when giants strode their respective fields - Babe Ruth, Lou Gehrig, and Hank Aaron in one, George (Krazy Kat) Herriman, Milton (Steve Canyon) Caniff, Walt (Pogo) Kelly in the other - and Mullin was there, straddling both fields, recording every major player and event in the mid-20th-century history of baseball. Mullin was to baseball players what Bill Mauldin was to soldiers: advocate and critic, investing them with personality, humanity, dignity, and poignancy; Mauldin had Willie & Joe and Mullin had the Brooklyn Bum, his affectionate 1939 character representing the bedraggled figure of the Brooklyn Dodgers. Willard Mullin's Golden Age of Baseball: Drawings 1934-1972 collects for the first time Mullin's best drawings devoted to baseball - depictions of players like Joe DiMaggio, Ted Williams, Yogi Berra, and Sandy Koufax, legendary managers like Casey Stengel and George Steinbrenner, and events like Lou Gehrig's emotional retirement speech on July 4, 1939, for which Mullin not only drew a portrait but composed a poem (which he often incorporated into his cartoons). Mullin's fluid line and delicate but vigorous brushwork are shown to beautiful effect, with many drawings reproduced from original art. See why millions of baseball fans from the '30s to the '70s looked forward to Mullin's cartoons in their daily paper.

Death Stand And Other Stories collects more than thirty stories ― all the combat tales Davis and Kurtzman did together for EC's Two-Fisted Tales and Frontline Combat. It also includes Davis's adaptation of an excerpt from James Fenimore Cooper's Last of the Mohicans.

This is a collection of three of the acclaimed cartoonist's earliest graphic novels, which are about Scandinavian mysteries, childhood stunts gone wrong, and much more. Three classic Jason volumes in one omnibus!

The Legendary Intellectual and Raconteur Talks to Hal Foster, Walt Kelly, Harvey Kurtzman, Howard Chaykin, Robert Crumb, and Other Artists.

From its high culture influence on Pop Art to its low culture appeal to children of all ages, the comic strip has had a lasting hold on the imaginations of generations. Noted writer Donald Phelps provides essays on popular classics, such as Chester Gould's Dick Tracy, E.C. Segar's Thimble Theatre (which produced Popeye), and Frank King's Gasoline Alley. His keen eye discerns the sublime qualities of this most American art form with wit and refreshing candor. Reading the Funnies offers an elegant and eloquent look into this fascinating slice of American popular culture.

This is the heavily illustrated memoir of the underground, feminist cartoonist, who fought the establishment and misogyny while running a fashion boutique and mingling with rock stars. From dressing Mama Cass to being pelted with jelly babies as she helped photograph the Rolling Stones's first US tour, from drunken New York nights spent with Jim Morrison to producing the very first all-woman comic book, the Lady of the Canyon takes no prisoners.

This graphic novel omnibus includes You Can't Get There From Here, about a monster love triangle; Tell Me Something, about love, recovered; Meow Baby!, short genre comics; and The Living and the Dead, a hilariously deadpan (and gory) take on the traditional Romero-style zombie thriller. All of these yarns star Jason's patented cast of tight-lipped (or -beaked) bird-, dog-, cat- and wolf-people, and showcase his compassion and wry wit.

Drawn in Blechman's expressive, patented "wavy line" pen-and-ink style, Amadeo & Maladeo is the tale of two Mozart-esque half brothers. The aristocratic Amadeo begins his musical career playing violin for the King and Queen of Austria, while penurious, illegitimate Maladeo plays violin for pocket change on a street corner. Both face the trials and tribulations of fame as their stories intertwine and come full circle. Amadeo and Maladeo serves as an elegant and unvarnished metaphor for the hardships contemporary artists face, which appears to be a universal condition of civilization.