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A Legendary Fantasy Saga in the Mighty Mickey tradition!
The tyrannical Shadow Prince rules the otherworldly land of Argaar, and only a hero foretold by legend can dethrone him - by plunging the powerful Sword of Ice into a magic stone. But when a wizened wizard seeks out that hero, he summons Mickey and Goofy - who soon find themselves embroiled in a royal rumble of giants, dragons, and impossible danger!
But one "Sword of Ice" saga isn't enough! In "The Tournament of Argaar," Mickey and Goofy return to the mystical land of their greatest challenge to brave deadly volcanoes, steampunk whirlamagigs, and rampaging dinosaurs! Hang onto your swords and shields!

Richard Sala has been creating fiendishly clever comics for over twenty years and Fantagraphics Underground is proud to present this special limted-edition collection of drawings, watercolor paintings, and short comics, hand-picked by the master of mystery and macabre himself, documenting the more shadowy corners of popular culture.

In 2010's Dungeon Quest Book One, Millennium Boy decided to grab his hobo stick, his bandana, and his Swiss Army knife, bid his mom goodbye, and head off on a quest for adventure.
In this second book, our heroes continue their quest by wandering through the primeval gloom of Fireburg Forest in search of the prophet and poet Bromedes, who can unlock the mysteries of Atlantis for them. Along the way, they encounter giant spiders, river trolls, and copious amounts of killer weed. Joe Daly's delightfully unique stoner/philosopher dialogue and distinctive character designs, coupled with hilarious over- the-top Role Playing Game action (complete with periodic updates for each character's status in ten criteria, including "dexterity," "intelligence," and "money"), propel Daly's story into heretofore unachieved action-comedy heights.
Collects Dungeon Quest Book Two (2011) 1-6.

One day Millenium [sic] Boy decided to grab his hobo stick, his bandana, and his Swiss Army knife, bid his mom goodbye, and head off on a quest for adventure. Joined by his best friend Steve (weapon: baseball bat; clothing: wife beater, cargo pants and sandals), they soon find themselves in a violent altercation with two other adventure seekers. It ends badly for their antagonists ("Whoa, check it out, dude! You actually knocked this dude's brain right out of his cranium!") and Millenium Boy and Steve become the proud owners of fancy weapons upgrades (a crowbar and a steel chain). So on they trek, and the next inductee to their group is the muscle-bound Lash Penis. And then things start getting weird!
Readers of 2009's Red Monkey Double Happiness Book will recognize Joe Daly's delightfully unique stoner/philosopher dialogue and distinctive character designs, but the hilarious over-the-top Role Playing Game action (complete with periodic updates for each character's status in ten criteria, including "dexterity," "intelligence," and "money") propel this new story into a heretofore unachieved action-comedy realm. By the end of this book (the first chapter of a projected four-part epic), the trio has been joined by Nerdgirl the Archer, Lash Penis has nearly had his arm cut off, they've acquired a whole new nifty bag of tricks, and the menaces have become increasingly surreal and lethal. Where will it end? Stay tuned for Dungeon Quest Book Two in Fall 2010!
Collects Dungeon Quest Book One (2010) 1-5.

After another year of living in the great American Midwest, self-styled literary superstar-to-be Fante Bukowski engages in a final showdown between his father and his dreams, is hired to ghostwrite a teen celebrity's memoir, and attends his first local zine fest. Meanwhile, there are hidden forces working behind the scenes to push Fante Bukowski into the critical and financial success he's always longed for, despite his continued lack of talent. In this third and final installment of the fan-favorite series, Van Sciver once again seizes the opportunity to skewer his symbol of the self-important male figure. With an ear for hilarious dialogue and no end of grist for the mill, Van Sciver's pointed skewering of literary pretention and fatuous "mansplainers" has garnered multiple Eisner Awards nominations and made Bukowski more popular than he could have ever hoped.

When Uncle Scrooge, to promote his wax museum, sends a robot double of Duck Avenger flying past Donald's house, Donald's secret is threatened! Can our hero use his high-tech Avenger gadgets to allay suspicion - or will hyper-lucky Gladstone Gander make things even worse? (Oh, yes, you know he will!) And, in "Ellsworth's Ornery Orphan," Mickey tells the distant desert tale of his mynah bird pal, Ellsworth - and a showdown with dread pirate Mozambeak! Then, a money-scented perfume sends Brigitta MacBridge and Scrooge to the isle of Bananaland in "The Other Golden Helmet" - Scarpa's one-and-only collaboration with Duck artist supreme Carl Barks!

No other pin-up cartoon artist over a 30-year period was as prolific or as omnipresent as Bill Wenzel. Virtually every humor and men's magazine, ranging from Judge in the mid-'40s to Sex to Sexy in the '60s and '70s, boasted two, if not a dozen, of Wenzel's pin-up cartoons. Quick with pen and ink, Wenzel was equally adept with the brush, and nowhere was this more evident than in his work for the Humorama line of girlie digests.

Jesus is back in this groundbreaking collection from Harvey Pekar's Our Cancer Year collaborator. Underground comics were known for their satirical assaults on beliefs held dear by middle America. None was more witty or biting than the very first underground comic ever published: Frank Stack's The Adventures of Jesus. Stack's controversial strip first saw print in the Texas counterculture publications The Charlatan and The Austin Iconoclastic and the University of Texas humor magazine The Texas Ranger. In 1964, Texas Ranger editor Gilbert Shelton (who would later go on to create the little known Fabulous Furry Freak Brothers) made 50 photocopies of about a dozen strips, stapled and collated the pages, designed a cover and distributed it to friends around campus. In this witty addendum to the New Testament, Jesus fulfills his promise "to reward the just and punish the unjust," yet returns to Earth with remarkably little fanfare. He soon realizes he may have postponed his second coming a bit too long, arriving when the planet has fallen into a dangerously advanced state of decrepitude, i.e., the late 20th Century. Nonetheless, Jesus is determined to carry out his sacred obligation. Fantagraphics Books is proud to collect, for the first time, over 40 years worth of The New Adventures of Jesus - including a brand new story by Stack. This edition also features an introduction by R. Crumb and a preface by Gilbert Shelton.

This series is rated Adults Only
DISCLAIMER: graphic sexuality
Every "period" in modern comics history has had its anthology that tapped into the zeitgeist and foreshadowed a new "generation" of cartoonists (Zap in the '60s; Arcade in the '70s; RAW and Weirdo in the '80s, etc.). For the new millennium, there is MOME. This accessible, reasonably priced quarterly book will run approximately 136 pages per volume and spotlight a regular cast of a dozen of today's most exciting cartoonists. Designed by acclaimed designer and cartoonist Jordan Crane, MOME will feature an iconic design and consistent format that should quickly establish the anthology as the most distinctive and accessible anthology of literary comics available.

From his shoe-shining boyhood in Scotland to his treasure-hoarding adulthood in Duckburg, Uncle Scrooge McDuck has lived a life of legend ― a legend founded by Scrooge's creator Carl Barks and carried to new heights in Don Rosa's signature storyline, "The Life and Times of Scrooge McDuck!" But never before has Rosa's epic ― originally told in twelve Eisner Award - winning chapters plus a wealth of "companion" follow-ups ― been fully assembled in the precise timeline of the events they tell! Now join Scrooge, Donald Duck, the Beagle Boys, Flintheart Glomgold, and more for the first-ever complete and chronological Scrooge McDuck biography!

After taking part in a historic heist - 52 simultaneous robberies at the same time, in the same city - May and Eugene are now on the run not only from the law and double-crossed former accomplices, but also their violent past. What makes these criminals so surprising is that they are a young mother and her preteen son. Thus begins the intense, yet touching, Bastard, Max de Radiguès's Fantagraphics debut and a book already nominated for the prestigious noir award at the 2018 Angoulême International Comics Festival. Bastard traces the deadly escape of May and Eugene as they crisscross the United States, encountering mysterious truckers, ambitious bandits, and senior citizens living off the grid in the Southwest. The duo race to get to their stolen cash and simply survive as masterful flashbacks clue us into how they got into this deadly situation in the first place. Both bloody and tender, de Radiguès focuses on the familial relationship as much as the exhilarating plot elements, and his clear-lined style adds depth to the brutality as well as the moments of maternal love. Full of plot twists and high tension, Bastard is a hard-boiled page-turner introducing an adolescent anti-hero that you're sure not to forget.

From cowboy capers at "Yesterday Ranch" to the fan-favorite mystery of "The Vanishing Railroad!," there are seven Mickey stories in all ― all newly restored in the colors of the original comic books!

Did you ever wonder how to stop brooding if your ears are protruding? Or how to indulge yourself and snore without being a bore? Or for the masochists among you, how to sit on a tack? Or for the narcissists, how to contemplate the back of your pate? Or something as simple as how to get out of bed gracefully? Or something a bit more challenging like how to boot a fly off your snoot? Or, if you're the violent type, what's the best way to kick someone in the teeth? Or, for those striving for greater refinement, how to be particular and is perpendicular? If these conundrums have perplexed and mystified you, the remedy is at hand: cartooning genius Basil Wolverton's "Culture Corner," an indispensable guide to demystifying life's most worrisome and disconcerting social quandaries.

Assembled from work done in Anders Nilsen's sketchbooks over the course of the year following the death of his fiancée in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation.
It is a concept album in different styles, a meditation on paying attention, an abstracted autobiography and a travelogue, reflecting the progress of his struggle to reconcile the great upheaval of a death, and finding a new life on the other side.
The book blends Nilsen's disparate styles, from the iconic simplicity and collaged drawings of his Monologues for the Coming Plague to the finely rendered Dogs and Water and Big Questions.
Originally released in magazine form in 2007 (which received an Ignatz Award nomination for Outstanding Story), The End has been updated and expanded to more than twice its original length, including 16 pages of full color.

This all-new, all-ages comic magazine will thrill kids and parents alike! Featuring 48 pages of brand-new comics by acclaimed cartoonists Robert Goodin (The Kurdles), Cathy Malkasian (Percy Gloom), and other surprises! Starring the Kurdles! Greta Grump! Howdy Pardner! Pacho Clokey! The best kids comic magazine since the demise of Nickelodeon magazine!

A a solitary figure has telepathic encounters with a demonic aviatrix, a wandering crystalline being, a flaming sword-wielding warrior, and a mysterious sorceress, all within the confines of his own apartment. Haven's work is dark, absurdist, and deadpan, reflecting the apocalyptic undercurrent of modern times. His inky, rubbery drawings buttress his black humor.

Written by Archie Goodwin and drawn by such luminaries as Frank Frazetta, Wally Wood, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Gene Colan, Blazing Combat was originally published by independent comics publisher James Warren in 1965 and '66. Following in the tradition of Harvey Kurtzman's Two-Fisted Tales and Frontline Combat, Goodwin's stories reflected the human realities and personal costs of war rather than exploiting the clichés of the traditional men's adventure genre. They were among the best comics stories about war ever published.
Blazing Combat ended after its fourth issue when military post exchanges refused to sell the title due to their perception that it was an anti-war comic. Their hostility was fueled by the depiction of the then-current Vietnam War, especially a story entitled "Landscape," which follows the thoughts of a simple Vietnamese peasant rice-farmer who pays the ultimate price simply for living where he does - and which was considered anti-war agitprop by the more hawkish members of the business community.
Writer Archie Goodwin and the original publisher James Warren discuss the death of Blazing Combat and market censorship as well as the creative gestation of the series in exclusive interviews.

Scrooge McDuck wants to find the treasure of King Duckapulco, an ancient ruler of a pre-Columbian South American empire. But the King's ghost demands his vast wealth go only to the pure of heart. Is that why Scrooge and Donald are bringing Huey, Dewey, and Louie along? Beyond "King of the Golden River," this collection of stories, in English for the first time, includes "Me, Myself, and Why" ― in which Scrooge adopts two aliases to confuse the taxman ― only to develop a real split personality! Plus: The Wild West saga of "Mickey the Kid and Six-Shot Goofy!"

A corporation invents a device that can talk to God in this graphic novel thriller. Godhead ricochets from the streets of a working-class African American community to the glimmering halls of corporate America to a mobile scientific laboratory located in the Pacific Ocean. A sprawling contemporary saga with a science-fiction edge, Godhead explores a collision course between science and religion when a corporation creates a device that can talk to God. Is this humanity's salvation or the equivalent of a Doomsday machine? Godhead is Ho Che Anderson's most conceptually and thematically ambitious graphic novel to date, his first in over ten years. Visually, he employs a variety of drawing techniques from tonal images to stark black-and-white to full color painting in order to convey a thriller that ranges from intimate domestic drama to globalist corporate intrigue.

Fuzz & Pluck: Splitsville tells the hilariously bizarre adventures of Pluck, an irritable and featherless rooster, and his best pal, the awkwardly unsocialized but lovable teddy bear known as Fuzz. These two usually inseparable and co-dependent misfits find themselves suddenly separated and alone. Pluck vows to establish his place in the world's pecking order by becoming a champion gladiator, while the more demure Fuzz finds himself a POW in a stuffed animal collection, only to escape and befriend a mercurial ferryman who recruits him for an impossible task. These absurdities pile on and eventually converge in a fatal collision course that reunites our heroes.