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Multimedia artist Charles Glaubitz delivers his first graphic novel, a work of mythical, pictorial, illustrative, and cosmological components, while combining elements of myth, religion, and spirituality with comics, hermetic ideas, alchemy and science. Light travels through space and brings a prophecy of the awakening of the Crystal Sigil. At the same time, the secret society of Illuminati steals from the four elements to create a new fifth element that has the power to become any object of desire. The ensuing epic battle pits the warrior-like Starseed Children ― who are the end result of the evolution of revolution within our system of genetics, philosophy, science, and art ― against the Illuminati and their masters, the Annunaki, and the coming of the black darkness.

Fausto, a young architect, is a prisoner of his own obsession: the search for perfection. Only the love of Silvia, his girlfriend, can save him. To help him, she goes to a strange doctor, who will guide her on a journey between reality and myth... This is an early work of the internationally acclaimed cartoonist, rendered in a striking red and black two-color palette.

Powerful and impulsive cartooning of the highest caliber still exists in the short form; you just have to look. For all these lonely lovers, Kramers Ergot fights the good fight and gathers many of the best and brightest together in one giant, oversized collection. For a few moments, you can fool yourself into believing in a reality where "comics" is vital and powerful, and can still make you lose it with laughter.Kramers Ergot 9 will feature the work of Michael Deforge, Noel Freibert, Steve Weissman, Anya Davidson, Stefan Marx, Abraham Diaz, Leon Sadler, Julia Gfrörer, Adam Buttrick, Kim Deitch, Ben Jones, Andy Burkholder, Antony Huchette, Trevor Alixopulos, Antoine Cossé, Archer Prewitt, Kevin Huizenga, Renee French, and many other greats.

The adventures of Disney's Snow White continue in this graphic novel, which is being released in the US to celebrate the animated film's 80th anniversary. Prince Charming leaves Snow White in the care of the Seven Dwarfs while he leaves for an expedition with the king. But the Evil Queen is back! Then, the Dwarfs build a special diamond throne for the Princess, but when it vanishes, they set out to find the thief. Also: what is the secret of the eighth dwarf? Jiminy Cricket makes a guest appearance! Perfect for Disney fans of all ages.

This volume continues Sadowski's biography of the famed Mad cartoonist. It includes scores of letters between Wolverton and his editors and publishers and excerpts from his personal diaries, providing documentary insight not only into Wolverton's day-to-day life and career, but also the inner workings of the early comic book industry. It is also chock full of Wolverton's comics stories from this period, including 17 science-fiction and horror tales fully restored and never before collected in a single volume.

Since their original publication, Peanuts Sundays have almost always been collected and reprinted in black and white. But many who read Peanuts in their original Sunday papers remain fond of the striking, pastel-heavy coloring, which makes for a surprisingly different reading experience. These late 1970s strips showcase Schulz at his philosophical and illustrative peak in one gorgeous, oversized, full-color coffee table book - Schulz's work has never looked better. Linus, Charlie Brown, Pig-Pen, Shermy, Violet, Sally, Patty, and Schroeder are all present, as is the burgeoning international superstar, Snoopy. Peanuts Every Sunday: 1976-1980 has been scrupulously re-colored to optimize the original newspaper coloring, but with far better printing and paper than ever used on any newspaper - allowing readers once again to immerse themselves in Charles Schulz's timeless masterpiece.

Since their original publication, Peanuts Sundays have almost always been collected and reprinted in black and white. But many who read Peanuts in their original Sunday papers remain fond of the striking coloring, which makes for a surprisingly different reading experience. Peanuts Every Sunday: 1971-1975 has been scrupulously re-colored to match the original syndicate coloring, and these early 1970s strips showcase Schulz at his philosophical and illustrative peak.

Spanish cartoonist Ana Galvañ charts an often-psychedelic and existential course for modernity in her English language debut, utilizing swaths of electric and florescent colors to create a series of short stories that intertwine and explore the dehumanizing effects of contemporary society. Like a candycolored collection of Black Mirror episodes, Galvañ's world, set in the very near-future, is familiar and cautionary at once. Galvañ's unwitting and addictive characters navigate a world of iridescent pastels and geometric energy like puppets. Departments of inhumane resources dehumanize the people it is purported to protect; information is determinedly mined like the gold of the 21st century that it is; induced suicidal thoughts are a tool to manage overpopulation. Galvañ's near future is less paranoid dystopia than it is a logical extension of things to come, where the malice of large corporations manifests in small, everyday ways - real if a bit surreal at the same time.

Jason has caught the hiking bug and decides to walk the Wicklow Way, where he encounters more sheep than he had bargained for. Leonard Cohen's storied life has been well archived, but never with so many Jason-esque liberties taken. (Did you know he beat Fidel Castro in chess? Learned the Heimlich from Frederico Garcia Lorca?) Two detectives are on a mysterious stakeout, but as secrets and motives are revealed their snooping becomes fatal. And, finally, the remarkable rollercoaster love story of Napoleon and Josephine Baker.

Immerse yourself in the mind of one of the greatest living cartoonists.
Since 2000, cartoonist Charles Burns (Black Hole) has been self-publishing a secret sketchbook zine that he gives out to friends and VIPs - dubbed "Free Shit." Burns has now compiled all twenty-five issues into a single volume for all of his fans to enjoy. Featuring finished drawings, rough sketches, process pieces, and more, the book is a window into the artist's id as well as a revealing behind-the-scenes look at the evolution of his grotesque and engrossing characters and motifs.
Any new Charles Burns book is cause for celebration and Free S**t is no exception. It's the perfect holiday gift for fans of one of comics' most acclaimed visionaries.

This series is rated Adults Only
DISCLAIMER: graphic sexuality
In the Wilderness is an intimate look into the rich inner life of an odd-man-out comics creator. In a series of wryly funny autobiographical vignettes, Casanova Frankenstein endures schoolyard bullies, fumbles through ill-fated romances, and grapples with the anxieties of being a black weirdo.

Lust's follow-up to her first internationally lauded graphic memoir, How I Tried to Be a Good Person, picks up directly where its predecessor left off. Revealing and powerful, Lust recounts her life as a young, enthusiastic anarchist making her way in Vienna in the 1990s - and of her love for two men: the "perfect companion" Georg, an actor twenty years her elder, and the "perfect lover," Kimata, a Nigerian man-about-town. As her relationships with the two men evolve, jealousy increasingly mounts and leads to emotional and violent outbreaks that threaten her life.

Cixtisis, the empress of Tchitchinie, kidnaps all of the men from Agalaia's kingdom to castrate them and make them her slaves. Anger grows amongst the female residents of Suffragette City―they want their husbands back. Will Aglaia be able to avert war and bring peace once again to the region? Anne Simon showcases a deft touch in this allegorical fantasy graphic novel brimming with subversive twists and comical turns.

This series is rated Adults Only
DISCLAIMER: graphic sexuality
The author's jumping-off point is the myth of Artemis and Siproites, in which a young man is turned into a woman as a punishment for the attempted rape of one of Artemis's virgin cohorts. Bunjevac's retelling follows Benny, a sexually deviant man who, coming across an alluring former classmate, concocts an elaborate, disturbing rape fantasy. Inked in her lush, stippled, illustrative style, Bunjevac crafts a gripping, noirish, Nabokovian tale, by turns surreal and harrowing, that turns the male gaze inside-out. Bezimena is both a radical examination of the misconceptions surrounding rape culture and an artistic and psychological tour de force.

Drawn in hazy gray pencil and printed in blue pantone ink, this book is about Elizabeth, an exotic dancer in cyberspace, and Carlos, who was just fired from the last human-staffed oil rig, attempting to keep their romance alive. When they realize that their bodies are full of artificial organs and they live almost entirely online, they begin to question what being human actually means. Do our ancestral, or even animal, instincts eventually kick in, or are we transcending the limits of our bodies? When an unplanned pregnancy is caused by an AI hack, Elizabeth must decide if the child is the next step in evolution ― or a glitch that will wipe out humanity once and for all.

This series is rated Adults Only
DISCLAIMER: graphic sexuality
This book collects his early gag cartoons for men's magazines; his wicked takes on Alice in Wonderlandand the Wizard of Oz; and his slyly sexy fairy tales The Frog Prince,Cinderella, Sleeping Beauty, and Hansel and Gretel ― plus his raunchy version of Snow White. Wood, who garnered international fame as a premier parodist for Mad, also takes aim at comic-book and -strips icons in such stories as "Prince Violate," "Stuporman Meets Blunder Woman," "Flasher Gordon," "Starzan," and even his own character, Sally Forth. Wood's cartoon commentaries on sex and society are included, such as "The Sexual Revolution" and "Brave Nude World." Other rarities include "The Marquis de Sade Coloring Book," "Dragonella," and the complete run of all of his covers for the infamous Screw magazine.

DISCLAIMER: graphic sexuality
Written by black, gay science-fiction writer, professor, and theorist Samuel R. Delany, and drawn by artist/martial arts instructor Mia Wolff, Bread & Wine is a graphic autobiography that flashes back to the unlikely story of how Delany befriend ed Dennis, and how they became an enduring couple―Delany, a professor at Philadelphia's Temple University, Dennis, an intelligent man living on the streets. For casual readers and fans, Bread & Wine is a moving, sexually charged love story, with visuals informed by Wolff's professional physical pursuits. Her black-and-white, pen-and-ink work not only expressionistically represents the characters' "body language" and the bustling New York setting, but is also filled with impish art references and visual puns. The scholarly potential for the book, based on the poem "Bread and Wine" by the German lyric poet Friedrich Holderlin, not only encompasses queer, African-American, and graphic novel studies, but also exploration in the literary and paraliterary academic fields. This edition includes an introduction by Watchmen writer Alan Moore, commentary by the book's protagonists, Delany and Dennis, and a new interview with Delany and Wolff.

The precocious sock monkey Uncle Gabby, his innocent pal Mr. Crow, and their tiny doll-friend, Inches, are the heroes of this funny, unsettling and all-new Sock Monkey storybook. Convinced that their human, Ann-Louise, has been kidnapped by a vicious monster dubbed the Amarok, our heroes bravely venture into the Haunted Woods to rescue her. The epic quest that follows takes them by sea, land, and air through many fantastic lands and introduces a cast of fanciful characters and creatures including the Trumbernick (the pixie shaman of the forest), a giant sea monster, the Guardsmen of Bear Town, and a flock of flying harpies. Beloved by adults and children, Sock Monkey harkens back to all-ages fantasy / adventure as The Wizard of Oz or Alice in Wonderland.

When the famed artist Wallace Wood teamed up with legendary writer/editor Harvey Kurtzman to create stories about men in combat, the result was some of the best war stories ever put to paper. Together, Wood and Kurtzman delivered outstanding, deeply human battle tales from the Civil War to World War I to World War II to Korea. From the Army to the Navy to the Air Force to the Marines. From aviators to soldiers to sailors. Wood and Kurtzman pulled no punches in depicting the utter folly, madness, and horror of war - especially in the title story, which depicts the bombing of Nagasaki from the viewpoint of the victims on the ground - a shockingly controversial point of view in 1953!

This book collects all of the legendary comics stories that Craig and EC great Al Feldstein collaborated on under the pseudonym F.C. Aljon. Of special interest to collectors, we present two stories for the first time since their initial publication more than 70 years ago. "Moon Girl," EC's first (and only) superhero and one of EC's earliest horror stories, and "Zombie Terror," both scanned from the original art. Plus "Edna Sunday," the story of a vicious woman murderer, restored for the first time ever with its original, never-before-printed shocking splash panel. Twenty-six stories in all, with essays and commentary by EC experts.