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How far would you go for revenge? If you were given a chance at deadly retribution with a guarantee that the law could not touch you, would you take it?
That's the opportunity that a man called Agent Graves provides, in the form of a special briefcase containing an untraceable gun and one hundred rounds of ammunition. To the damaged and downtrodden living on the fringes of society, the offer is a once-in-a-lifetime chance to even their scores. But beyond the dilemma of whether or not to pull the trigger lies a deeper and even more troubling concern: just who is making these actions possible - and why?
This second of five volumes reprinting all 100 issues of writer Brian Azzarello and artist Eduardo Risso's 100 BULLETS collects issues #20-36 of their acclaimed Vertigo series, and also includes Azzarello's original script for "The Mimic" from issue #20.

Named to NPR, Las Vegas Weekly, Graphic Novel Reporter, The Casual Optimist, Comic Book Resources, Attentiondeficitdisorderly, Hypergeek, and Robot 6's Best of 2010 lists.Sven, a semi-aimless Scandinavian artist who has ended up in Montpellier, France on a futile romantic pursuit, enjoys nocturnal raids into other people's homes, disguised as a werewolf. The way he figures it, the disguise will give him an extra few moments' advantage vis-à-vis any startled home owner if things get ugly... but he hasn't taken into account the existence of a society of real Montpellier-based werewolves who do not take kindly to this new pretender. So while Sven spends his days playing chess and poker with his friends, sketching his way through his picturesque chosen hometown, and coping with romantic dilemmas - both his and those of his best friend, the Breakfast-at-Tiffany's-obsessed Audrey, who has girl troubles of her own - little does he realize that a genuine threat to his life, and for that matter his humanity, is closing in on him. Werewolves of Montpellier is a lycanthropic thriller, a romantic comedy, and an existential drama - beware the full moon!
"Another werewolf story to warm the cockles of your heart!" - John Landis

A very funny, very deadpan, and very poignant comedy of romance, featuring the classic romantic trio of mad scientist, monster, and bride of monster, presented in the same elegant format as Jason's previous popular graphic novel The Iron Wagon, a two-color process (black and grayish blue) on tinted paper with an uncoated cover stock printed in three simple colors, complete with flaps. Also includes a running commentary by the loyal hunchbacked assistant.

A moody twenty-something wallowing in depression after a breakup with his long-time girlfriend, finds himself drawn into a paranoid's worst nightmare after his best friend is murdered and the blame is pinned on him. With the help of a single mother who spontaneously throws in her lot with him (not to mention her precocious daughter), he sets out to clear his name. Soon new relationships are forged, dark secrets from the past are revealed, and the real killer comes back into the picture...with a vengeance.

A blank-eyed, silent meditation on young love thwarted and re-kindled. Tell Me Something picks up the stylized anthropomorphic characters of Jason's earlier works, as well as the challenge of all-pantomime to weave a yarn of young love thwarted and re-kindled. Switching smoothly between two time periods, alternating moments of tenderness and sadness with slapstick and irony, Tell Me Something is a virtuoso technical achievement as well as a funny and sad tale of romance and treachery.

Originally serialized in 2008 in the New York Times Sunday Magazine "Funny Pages" section, the title story of this collection might be the world's first (and likely last) chess western. Also included, "Emily Says Hello," is a typically deadpan Jason tale of murder, revenge and sexual domination. The wordless "&" tells two tales at once: one about a skinny guy trying to steal enough money to save his ill mother, and the other about a fat guy murderously trying to woo his true love. The two stories collide on the last page, in Jason's inimitable genre-mashing style. Also included, "Early Film Noir" can best be described as The Postman Always Rings Twice meets Groundhog Day. But starring cavemen. And finally, "You Are Here" features alien kidnappings, space travel, and the pain and confusion of family ties, culminating in an enigmatic finale that rivals Jason's greatest twists. This collection of new and previously unpublished work shows one of the world's most acclaimed graphic novelists at his funniest, wryest, and most poignant.

The new graphic novel by Jason is both a playful take on the classic detective story. A detective happens to find a lost cat and finds that he and the woman to whom he returns it have a lot in common. They agree to meet again... but she's disappeared. Isolation and memory intertwine in the longest story by Jason to date.

F. Scott Fitzgerald, Ernest Hemingway, Ezra Pound, and James Joyce walk into a Parisian bar... no, it's not the beginning of a joke, but the premise of Jason's unique new graphic novel. Set in 1920s Paris, The Left Bank Gang is a deliciously inventive re-imagining of these four literary figures as graphic novelists! Yes, in Jason's warped world, cartooning is the dominant form of fiction, and not only do these four literary giants work in the comics medium but they get together to discuss the latest graphic novels from Dostoevsky to Faulkner ("Hasn't he heard of white space? His panels are too crowded!"), and bemoan their erratic careers. With guest appearances by Zelda Fitzgerald and Jean-Paul Sartre, and a few remarkable twists and turns along the way, and you've got one of the funniest and most playful graphic novels of the year. Like Jason's acclaimed Why Are You Doing This?, The Left Bank Gang is rendered in full spectacular color.

After his existential thriller (Why Are You Doing This?), his Parisian famous-writers crime caper (The Left Bank Gang), and his time-travel story (I Killed Adolf Hitler), Jason's fourth full-color album may feature his loopiest premise yet. Set in the present time, The Last Musketeer stars the by-now centuries old musketeer Athos, who has been reduced to a suavely dressed but useless near-panhandler trading on his now almost extinct fame. All this changes when one day the Martians attack Earth. Suddenly there is a need for swashes to be buckled, and Athos leaps back into the fray with a vengeance. The Last Musketeer is a vintage sci-fi adventure with a unique twist from an internationally acclaimed cartoonist.

Five years ago, little Gwenny's father found, a map inside a bottle with instructions on how to reach the mysterious (and titular) Isle of 100,000 Graves and its legendary treasures - and then he vanished. Now Gwenny, having stumbled across another bottle-shipped map, enlists the dubious help of a shipful of pirates and sets out to find the island and her long-lost dad. Little does she realize that the Isle comes by its ominous name honestly, as the location of a secret school for executioners and torturers, where apple-cheeked youngsters are taught the finer points of extracting information from prisoners... and then putting an end to their lives in a wide variety of gruesome ways. And they've reached the point in their studies where theory should ideally give way to practice, so an influx of uninvited visitors comes as a blessing to the faculty. This story is a comedy, albeit a dark one.

In this full-color graphic novel, Jason posits a strange, violent world in which contract killers can be hired to rub out pests, be they dysfunctional relatives, abusive co-workers, loud neighbors, or just annoyances in general-- and as you might imagine, their services are in heavy demand. One such killer is given the unique job of traveling back in time to kill Adolf Hitler in 1939... but things go spectacularly wrong. Hitler overpowers the would-be assassin and sends himself to the present, leaving the killer stranded in the past. The killer eventually finds his way back to the present by simply waiting the decades out as he ages, and teams up with his now much-younger girlfriend to track down the missing fascist dictator... at which point the book veers further into Jason territory, as the cartoonist's minimalist, wickedly dry sense of humor slows down the story to a crawl: for long patches absolutely nothing happens, but nobody can make nothing happening as riotously entertaining as Jason does... and finally, when the reader isn't paying attention, he brings it together with a shocking, perfectly logical and yet completely unexpected climax which also solves a mystery from the very beginning of the book the reader had forgotten about. As always, I Killed Adolf Hitler is rendered in Jason's crisp deadpan neo-clear-line style, once again augmented by lovely, understated coloring.

For his ninth Fantagraphics graphic novel, Jason returns to his two-tone mute roots with The Living and the Dead, a George A. Romero-esque zombie comedy that he intends to be the middle installment of his "horror trilogy" begun with the Frankenstein monster love triangle of You Can't Get There From Here. Jason's elegant deadpan style somehow manages to make the gruesome gore and splatter effects almost... charming - and yes, it is a sweet love story at heart. If you read only one book in which a zombie devours a baby this year (even Romero never quite summoned up the nerve for that), read this one!

A collection of full-color graphic novellas, Athos in America takes its title from the lead story, a prequel of sort to the graphic novel The Last Musketer, in which the seemingly ageless swashbuckler turns up in a bar in 1920 New York and relates the tale of how he went to Hollywood to play himself in a film version of The Three Musketeers. Also included: "The Brain That Wouldn't Virginia Woolf," "Tom Waits on the Moon," and "So Long Mary Ann."