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An evocative murder mystery set in the Norwegian countryside, this story, like all good murder mysteries, is a stew of passion, buried past crimes, revelations, and sharply defined characters who remain ambiguous to the very end. Norwegian author Stein Riverton's 1908 novel The Iron Wagon has never been translated into English. Now, using a striking two-color drawing style and re-casting the story with his iconic animal characters from his previous graphic novel Sshhhh!, the acclaimed cartoonist Jason has adapted The Iron Wagon into an original graphic novel that will appeal not only to fans of his work but also to mystery fans who will finally have a chance to experience Riverton's clever story.

From the multiple Eisner and Harvey Award-winning author comes this sharp suite of short tales, ranging from the funny to the terrifying to the surreal to the touching, all told entirely in pantomime. Like Chris Ware, Jason's clean, deadpan style (featuring animal-headed characters with mask-like faces) hides a wealth of emotion and human complexity, leavened with a wicked wit. Jason's work has also drawn comparisons to Art Spiegelman for the similar ways both artists utilize anthropomorphic stylizations to reach deeper, more general truths, and to create elegantly minimalist panels whose emotional depth-charge comes as an even greater shock. His dark wit and supremely bold use of "jump-cuts" from one scene to the next are endlessly surprising and exhilarating.

This multifaceted anthology collects over 25 stories from the first decade of Jason's career, including his remarkable calling card, the novella-length thriller "Pocket Full of Rain," which has never before been published in English. Like a number of his initial stories, "Pocket" is actually drawn with realistic human beings instead of blank-faced animal characters - a true revelation for Jason fans. In fact, this book showcases three distinct styles: his earliest "realistic" drawing style an intermediate "bighead" cartoony style that still features humans, and the "funny-animal" style for which he's now best known. The book reveals a young cartoonist experimenting with styles, working through his obsessions (love, loneliness, film, Hemingway) and paying tribute to his cartooning heroes (Wolverton, Moebius, Pratt). Also, croquet-playing nuns, sentient cacti, autobiographical drunken escapades, lists of people who deserve to die, and a color gallery featuring God cheating at Trivial Pursuit.

In this collection of hilarious shorter pieces, Jason unleashes his inner Scandinavian goofball. God, the Devil, mummies, vampires, zombies, werewolves, reanimated skeletons, space invaders, Death, cavemen, Godzilla and Elvis populate these most often wordless blackout gags, side by side with Jason's usual Little-Orphan-Annie-eyed, rabbit-and-bird-head protagonists - a "lighter side" of one of the best cartoonists of the new millennium.

These volumes use the Avengers in childen's stories such as Peter Pan.